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Werehouse — where wild stories grow

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A creative studio for films, games and worlds.

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Mind the teethHandmade mythAnalog feelings, digital clawsNow showing: ScreenfacePlay is a languageMind the teethHandmade mythAnalog feelings, digital clawsNow showing: ScreenfacePlay is a language
Screenface film poster — a figure with a CRT monitor for a face holds a bouquet of red roses in the rain, under pixel-lettered Screenface title and the tagline a disconnected love storyHiggsfield Global Film Festival

Now showing · Short film

Screenface

A disconnected love story


Screenface was born with a screen for a face. The world watched him grow up, lost interest, and left him to figure out the rest.

Open the Higgsfield project →

See how the sausage was made. Link coming soon.

“Everybody could see him. Almost nobody knew him.”

Synopsis

Online, he was never alone. Offline was more complicated.

A strange little love story about loneliness, screens, bad decisions and what happens when someone finally crosses the distance.

Read the narration

This is the story of a boy, now a man, who came into the world with a scream and a bang. His mother was shocked, as was clear to see, when she named him Screenface, for his face was a screen.

Screenface was in the media, then, called a thing, a boy then a thing again. For fifteen bright minutes the world knew his face, then the cameras found something newer to chase. The questions grew quiet, as questions will do, and Screenface and Mum slipped back out of view.

Screenface was gifted, some said too much, as if he had knowledge others could touch. Not many did, mind you, but if they had tried, they’d find the wonders that only a connected device can provide.

With no mouth to speak or smile to see, the life he lived grew lonely. Online, it was different. His friend list was long, it spread across country, app, channel and blog. Yet none of those thousands had ever once seen the boy who was crying behind his own screen.

By twenty-one, worn down and displaced, he fled to a town where he might be embraced. He sought an accomplice, a lady, a light, a friend to keep warm in the dark, lonely night. That’s when he saw her, in that corner alone, texting a friend on her bright new smartphone.

He lit up his face and found her so fast, her online accounts — a new friend at last.

Our man had fallen, he’d fallen quite hard, as often you do when love’s on the cards. In an ideal world it may have gone better, but this was the way he chose to impress her.

Her screams were immediate. Wouldn’t yours be? A man stood before her, his face a bright screen.

Now a heart is a heart, and it beats just as fast, even if his face was made mostly of glass. And beat it did as Screenface ran quickly, pursued by an angry gang of police officers for disturbing the peace, who wanted him locked up without a release.

“This was not part of the plan,” was the next thought thought up by our screen-faced man.

He went to the river and started to row, to the nothing, the nowhere, the darkness, I’ll go.

His Screenface went blank, his thoughts were his own, and in this fine moment he was truly alone.

In a town not unlike the one he fled from, a face bathed in light, a search had begun. Screen next to screen, she searched high and low for that young online man who made her laugh so. He disappeared from the grid, vanished sans trace, that boy that she liked that hid well his face.

She offered connection, a way to begin, a gentle, soft promise to plug him back in. But he only looked up, and the screen on his face showed a single word in a warm, glowing space. Offline.

He brewed her some tea. She sat for a while. He spoke with his silence. She answered with a smile.

And the world moved on, as it often will do, with updates and likes and a thousand new views. But deep in the woods, under oak trees and pine, another story begins. And this one’s offline.

A newborn with a small CRT monitor for a head, crying pixels
The boy with a screen face on a sofa, surrounded by press microphones
Screenface and another teenager sit side by side on a worn couch in a dim cabin room
A girl reaches out to touch the glass of Screenface's monitor face
The boy raising his hand in a classroom, browser window on his face
Alone in a crowded club, colour bars glowing on his face
A girl in a rain-lit alley staring at her phone in shock
Running down a graffitied alley at night, red alert on his screen
Sitting cross-legged on a bed in a poster-covered room, two red bars glowing on his screen
A lone cabin glows at the edge of a dark lake beneath the stars

Director’s note

I wanted to make something about the difference between being seen and being known. We’ve never been more visible to one another, yet somehow that hasn’t made us feel any less alone.

A screen for a face felt like the simplest way to explore that. Screenface can’t help but broadcast himself, and still struggles to make a real connection.

But I didn’t want to make a film that blamed the screen. Sometimes the same technology that keeps us apart is also what allows us to find one another. The important bit is what happens when somebody finally crosses the distance.

Matthew Snyman

Made with

Higgsfield Global Film Festival

Screenface was written, directed and edited by Matthew Snyman.

Visuals were created using Higgsfield, with additional compositing and finishing in After Effects. Voice and audio were created with ElevenLabs, with original music generated using Suno.

The film was created for the Higgsfield Global Film Festival 2026.

Open the projectSee how the sausage was made.

From the vault

Earlier Work

Films Matthew made before the house had a name. Still dripping, still funny, still weird.

Blaze Fury, Man of Fire poster

Blaze Fury, Man of Fire

Short film

A film about firemen, dragons and hamburgers. Featured on Machinima.

Watch elsewhere →
Spaceship Byton poster

Spaceship Byton

Short film

A journey into outer space, made for Byton.

Watch elsewhere →
The Lord of the Eggs poster

The Lord of the Eggs

Short film

A small epic with a very large yolk.

Watch elsewhere →
More on Vimeo →

Werehouse

The stories with teeth.
The games with paws.
The worlds beneath the floorboards
and behind the cupboard door.

We believe in hand-crafted myth. In analog feelings, digital claws. In bold ideas with soft bellies and sharp smiles.

So come inside.

Just… mind the teeth.

About

Werehouse is a small studio for films, games and worlds — made by Matthew Snyman.

Matthew Snyman

Matthew has spent the last 20 years making films, VR experiences, products, and games — whatever format serves the story best. From short films like Screenface and Blaze Fury, Man of Fire to interactive worlds and emerging tech, his work blends high-tech craft with handmade soul.

Films

Screenface. First out of the house, and still dripping.

Screenface →

Stories

Myths and printed things. More are growing.

Soon-ish

Games

Tactile worlds for families. Off the algorithm.

Soon-ish